Julian opie biografie
Valia - Sunny Seclusion - Unique Artwork
- Oeuvre unique de l'artiste Valia.
- Grand format 80x60 cm.
- Certificat d'authenticité inclus,
- Oeuvre signée à la main par l'artiste.
- Édition sur papier FineArt Hahnemühle qualité musée
- Expédition soignée papier de soie+Tube+Sur carton
- Bio artiste :
Valia est une artiste franco-italienne qui explore de nouveaux supports artistiques afin de créer des œuvres moins éphémères, mettant en valeur la positivité, l'amour et la vie. Elle met son savoir-faire au service de la réalisation d'œuvres intemporelles et élégantes. Ses inspirations sont multiples, issues de ses expériences, de ses voyages, de ses rencontres, ainsi que de sa passion pour l'art contemporain. Jouant avec les formes et les couleurs, elle a immédiatement attiré l'attention d'une nouvelle clientèle, séduite par la beauté de ses œuvres inspirantes et évocatrices. Valia exporte son art à travers le monde et s'ouvre à de nouvelles collaborations artistiques qui ne manqueront pas de renforcer son ascension dans l'univers de l'art contemporain. Style : David Hockney Richard Diebenkorn Edward Hopper Jonas Wood Alex Katz Elisabeth Cummings Wayne Thiebaud Peter Doig Cecily Brown Sean Scully Mary Heilmann Bridget Riley
- Recent Toegevoegd
- Prijs (Laag-Hoog)
- Prijs (Hoog-Laag)
- Jaar (Laag-Hoog)
- Jaar (Hoog-Laag)
Julian Opie
Shirt From Crossing,
Editie / Print
Gemengde Techniek.
USD 20, - 25,
Julian Opie
Swamp Hen (from Small Birds),
Editie / Print
Gemengde Techniek.
USD 10,
Julian Opie
Cornish Coast 1: Lantic Bay,
Editie / Print
Gemengde Techniek.
USD 7,
Julian Opie
Dance 4,
Editie / Print
Gemengde Techniek.
USD 22,
Julian Opie
New York Couple 2,
Editie / Print
Zeefdruk
USD 15,
Julian Opie
Culottes (from Crossing),
Editie / Print
Gemengde Techniek.
USD 23,
Julian Opie
Tom And Imogen,
Editie / Print
Gemengde Techniek.
USD 11,
Julian Opie
Turn Ups,
Sculptuur / Object
Gemengde Techniek.
USD 17, - 20,
Julian Opie
Modern Towers,
Sculptuur / Object
Hout
EUR 11,
Julian Opie
Carp 1,
Sculptuur / Object
Gemengde Techniek.
EUR 5,
Julian Opie
Boat 4,
Sculptuur / Object
Gemengde Techniek.
EUR 6,
Julian Opie
View Of Loop Bridge Seen From Route 41,
Editie / Print
Gemengde Techniek.
EUR 5,
Julian Opie
Gary, Popstar,
Editie / Print
Zeefdruk
USD 3,
Julian Opie
Dance Synced 5,
Editie / Print
Zeefdruk
USD 14,
Juli
- Recent Toegevoegd
- Prijs (Laag-Hoog)
- Prijs (Hoog-Laag)
- Jaar (Laag-Hoog)
- Jaar (Hoog-Laag)
Bruce McLean
Shades Of Grey - Light Blue,
Editie / Print
Zeefdruk
Momenteel Niet Beschikbaar
I am a sculptor who happens to paint.
- Bruce McLean
Bruce McLean (geb. VK) is een Britse hedendaagse kunstenaar, bekend om zijn innovatieve en humoristische benadering van sculptuur, performance, schilderkunst en film. McLean's werk bekritiseert vaak de kunstwereld en haar conventies, waarbij hij humor en satire gebruikt om traditionele opvattingen over kunst en de rol van de kunstenaar uit te dagen. Hij kreeg in de jaren 60 brede erkenning als onderdeel van de "New Sculpture"-beweging, waar hij bekend werd om zijn gebruik van alledaagse materialen en zijn afwijzing van traditionele sculpturale vormen. McLean's performances, vaak opgevoerd als parodieën op kunstpraktijken, zijn opmerkelijk vanwege hun speelse onverschilligheid en conceptuele strengheid. Zijn werk verkent vaak thema's zoals identiteit, macht en de absurditeit van de kunstwereld, waarbij elementen van popcultuur worden gecombineerd met een scherpzinnige sociale commentaar. McLean's invloed strekt zich uit tot de schilderkunst, waar zijn gedurfde, expressieve werken de grenzen van de hedendaag News
PIEKE BERGMANS
SUBSCRIBE NEWSLETTER
NEWS
KAZERNE / VAN ABBEMUSEUM
NEW MELANCHOLY
CRYSTAL VIRUS
Curated by Lidewij Edelkoort
After the reflection during the lockdown, we are left with a vast emptiness. Complementary emotions that arise therefrom lead to feelings of melancholy that will influence our culture. The double exhibition between Kazerne and Van Abbemuseum shows desolate work from the collection Edelkoort and the museums collection.
Date: –
Kazerne, Paradijslaan , KN, Eindhoven, The Netherlands
LILLE METROPOLE
WORLD DESIGN CAPITAL
A labour of love
PHENOMENEON
Blowing Magic
curated by Lidewij Edelkoort & Philip Fimmano
The European Metropolis of Lille succeeded Turin, Seoul, Helsinki, Cape Town, Taipei and Mexico City as World Design Capital in Since , the title of World Design Capital© is awarded every two years by the World Design Organization (WDO), it recognizes cities for their effective use of design to drive economic, social, cultural, and environmental development.
This exhibition, curated by world-renowned trend forecaster Lidewij Edel- koort and Philip Fimmano, explores the way a new generation of designers is experimenting with materials and manufacturing processes.
Fully resonating with the publi
Ilse DHollander
Born in Sint-Niklaas, Belgium, in , Ilse D’Hollander graduated from the Hoger Instituut voor Schone Kunsten, Antwerp, in , and the Hoger Instituut voor Beeldende Kunsten, St Lucas, Gent, in D’Hollander drew upon her impressions and experience of place throughout her career, particularly the Flemish countryside where she spent the last, highly productive years of her life. Occasionally her work recalls lowland vistas – with vast horizons that belie an intimate scale. However, D’Hollander’s paintings are seldom straightforward landscapes. Instead, drawing the viewer in, her work reveals a masterful command of graphic and painterly touch that captures, holds and, often, diverts attention. Monochrome or near monochrome fields might be interrupted by blocks of colour; geometric volumes that read as natural or manmade interventions. These in turn might be punctuated by streaks or strokes of paint – applied with a brush or sometimes the artist’s hands. The results can be read as a series of accumulated impressions, adjustments and layerings – visual records of the artist’s thought processes as much as evocations of the landscapes she knew and loved. It is this sense of crossing and re-crossing the borde
News
PIEKE BERGMANS
SUBSCRIBE NEWSLETTER
NEWS
KAZERNE / VAN ABBEMUSEUM
NEW MELANCHOLY
CRYSTAL VIRUS
Curated by Lidewij Edelkoort
After the reflection during the lockdown, we are left with a vast emptiness. Complementary emotions that arise therefrom lead to feelings of melancholy that will influence our culture. The double exhibition between Kazerne and Van Abbemuseum shows desolate work from the collection Edelkoort and the museums collection.
Date: –
Kazerne, Paradijslaan , KN, Eindhoven, The Netherlands
LILLE METROPOLE
WORLD DESIGN CAPITAL
A labour of love
PHENOMENEON
Blowing Magic
curated by Lidewij Edelkoort & Philip Fimmano
The European Metropolis of Lille succeeded Turin, Seoul, Helsinki, Cape Town, Taipei and Mexico City as World Design Capital in Since , the title of World Design Capital© is awarded every two years by the World Design Organization (WDO), it recognizes cities for their effective use of design to drive economic, social, cultural, and environmental development.
This exhibition, curated by world-renowned trend forecaster Lidewij Edel- koort and Philip Fimmano, explores the way a new generation of designers is experimenting with materials and manufacturing processes.
Fully resonating with the publi
Ilse DHollander
Born in Sint-Niklaas, Belgium, in , Ilse D’Hollander graduated from the Hoger Instituut voor Schone Kunsten, Antwerp, in , and the Hoger Instituut voor Beeldende Kunsten, St Lucas, Gent, in D’Hollander drew upon her impressions and experience of place throughout her career, particularly the Flemish countryside where she spent the last, highly productive years of her life. Occasionally her work recalls lowland vistas – with vast horizons that belie an intimate scale. However, D’Hollander’s paintings are seldom straightforward landscapes. Instead, drawing the viewer in, her work reveals a masterful command of graphic and painterly touch that captures, holds and, often, diverts attention. Monochrome or near monochrome fields might be interrupted by blocks of colour; geometric volumes that read as natural or manmade interventions. These in turn might be punctuated by streaks or strokes of paint – applied with a brush or sometimes the artist’s hands. The results can be read as a series of accumulated impressions, adjustments and layerings – visual records of the artist’s thought processes as much as evocations of the landscapes she knew and loved. It is this sense of crossing and re-crossing the borde